Black or White 2015 Full Movie

Yaripk presents the Movie Of Tamil”Black or White” Directed by Mike Binder Starring Kevin Costner Octavia Spencer Jillian Estell Bill Burr Jennifer Ehle Andre Holland  Gillian Jacobs Anthony Mackie in lead roles exclusively on YariPk.

Black or White 2015 Full Movie

Black or White

Theatrical release poster
Directed by Mike Binder
Produced by Kevin Costner
Mike Binder
Todd Lewis
Written by Mike Binder
Starring Kevin Costner
Octavia Spencer
Jillian Estell
Bill Burr
Jennifer Ehle
Andre Holland
Gillian Jacobs
Anthony Mackie
Music by Terence Blanchard
Cinematography Russ T. Alsobrook
Edited by Roger Nygard
Sunlight Productions
Treehouse Films
Treehouse Productions
Venture Forth
Distributed by Relativity Media
Release dates
  • September 6, 2014 (2014-09-06) (TIFF)
  • January 30, 2015 (2015-01-30) (United States)
Running time
121 minutes
Country United States
Language English
Budget $9 million
Box office $21.7 million
BW-00797 Kevin Costner and Jillian Estell star in Relativity Media's movie BLACK OR WHITE. © 2014 BLACKWHITE, LLC. Photo Credit: Tracey Bennett.
BW-00797 Kevin Costner and Jillian Estell star in Relativity Media’s movie BLACK OR WHITE. © 2014 BLACKWHITE, LLC. Photo Credit: Tracey Bennett.

Black or White 2015

Black or White is a 2014 American drama film directed and written by Mike Binder. The film stars Kevin Costner, Octavia Spencer, Gillian Jacobs, Jennifer Ehle, Anthony Mackie and Bill Burr. The film premiered at the 2014 Toronto International Film Festival and was released in the United States on January 30, 2015

Black or White

Let me preface this review by saying it’s difficult to be too hard on Kevin Coster. I’m not sure what it is but I have a soft spot for the guy. He’s got an all-American, boy scout-like quality to his demeanor that allows him to be instantly likable. However, the past couple of years his films have been hum-drum recycled schlock that few rushed to see (exhibit A).

For the racially charged courtroom dramedy BLACK OR WHITE, he’s back collaborating with writer/director Mike Binder (UPSIDE OF ANGER) with Costner on producing duties. It sheepishly approaches the “white elephant” in the room by broadly painting on the canvas of race relations in America.

Rich white guy Elliot Anderson (Costner) has recently lost his wife to a fatal car crash (yeah, it’s sad; moving on), all the while the couple had been caring for their criminally adorable grand-daughter, Eloise (Jillian Estell), after her mother died during child-birth, who just so happens to be… (wait for it)… (you’re gonna love this)… mixed race!

Eloise has trouble understanding the news and once her paternal grand-mother, Rowena (Octavia Spencer), gets wind of this and barrels her way into the picture in an attempt to gain custody of the seven year old with the help of her high-powered attorney brother (Anthony Mackie).

Throughout the charade we’re supposed to be feeling sympathy for Elliot, but his crushing guilt and alcohol dependency begin to take control of his life. Just when you think things couldn’t get any crazier, Eloise’s dead-beat, druggie father Reggie (Andre’ Holland) gets dragged into the mix after being in-and-out of jail and his battle with crack addiction. Both of these men are attempting to cope with two similar forms of substance abuse, or so the script wants you to think. It’s an insulting way of beating it over your head that these two men aren’t so dissimilar.

Kevin Costner and Jillian Estell star in Relativity Media's movie BLACK OR WHITE. © 2014 BLACKWHITE, LLC. Photo courtesy of Tracey Bennett.

Binder is handling some heavy material here, yet the direction constantly calls for comedic bits that undercut the gravity of each dramatic beat. Most don’t work aside from a recurring callback where Eloise’s wunderkind math tutor, Duvon (Mpho Koaho), has an insistent need to distribute his resume to the majority of people he encounters.

BLACK OR WHITE is not without a few moments of genuine sentimentality, but the L.A. centered film portrays a cartoonish crack house that’s located right across the street from Rowena’s safe-haven family life couldn’t feel anymore divorced from reality.

The last 45 minutes or so of the 121-minute drama spends time showing how much of a lost cause Reggie is as a stereotypical dead-beat dad, but Binder’s perspective allows Elliot to be a flawed character without cutting Reggie any slack. This becomes Elliot’s journey about curing his white guilt. I don’t get it; Eloise is cast aside for the majority of the second act by becoming a mere pawn in the custody battle.

Costner has one of the best courtroom scenes in the history of film for his work in JFK, and BLACK OR WHITEclimaxes with a such scene that’s playful yet earnest attempt to bring the issues to a head. But Costner’s monologue about race is obtuse, albeit delivered with conviction. These types of scenarios only exist in the movies and TV, and BLACK OR WHITE is out of touch with reality. But hey, at least we got to see Costner ham it up with an enchanting little child actor for a few scenes.


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